Posts Tagged ‘2008’

A local theater screens cult favorite movies every other Saturday night and recently played The Goonies. I got to talking with a friend of mine about it, and how it represents the movies of our youth that targeted us as viewers. Looking over the list of films that have played during this midnight series I see Beetlejuice (1988), Star Trek II: The Wrath of Khan (1982), Pee-wee’s Big Adventure (1985), Gremlins (1984), The Princess Bride (1987), Ernest Goes to Camp (1987), Who Framed Roger Rabbit (1988), Return to Oz (1985), The Dark Crystal (1982) and Labyrinth (1986). Every one of those movies was released in the 1980s and rated PG. Other films include both Ghostbusters (1984) and Ghostbusters II (1989), the Back to the Future and Indiana Jones trilogies, most of which were released in the 1980s as PG films. I’ll grant you that some of these are “lesser” cinematic achievements (Return to Oz will scarcely be discussed in the same breath as The Wizard of Oz), but many are bona fide classics.

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Dragons. Are there any cooler creatures in all of mythology? Unfortunately, in the world of celluloid, these great creatures of imagination have not really gotten their due. (At least, not in live-action cinema; why I have not yet seen How to Train Your Dragon is still beyond me.)

Is there any live-action film in which dragons have truly come off as cool as they deserve? Harry Potter and the Goblet of Fire wasn’t too bad, but the dragons aren’t the stars. As I impatiently await the day when Peter Jackson brings his vision of the ultimate dragon, Smaug, to life in The Hobbit, I think about other dragon-themed movies that I have enjoyed in the past. None of them are deserving enough to be called “great”, but I’m very forgiving of movies I want to like. In one of these cases, I was the perfect age to see a dragon with real presence brought to life on the big screen – even if the movie he inhabited was far from perfect. Without further adieu, I present, in ascending order on my Flickchart, my picks for Guilty Pleasures starring dragons.

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As the Oscar telecast creeps up on us again, it begs the question: How many times has the Academy really gotten this “Best Picture” thing right, anyway?

Think about it. How many controversial decisions are there in the Academy’s history? How many times is a movie other than Best Picture long remembered as the best of the year?

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In This Corner…

Following the success of Peter Jackson‘s Lord of the Rings trilogy (the third installment of which went on to become only the second entry in that elite “Billion Dollar Club”), it seemed like every studio wanted to jump on the fantasy-adventure bandwagon. And increasingly, the inspiration for such films has seemed to come from books targeted primarily at younger readers. The more popular franchises to arise from this trend were the Harry Potter and Chronicles of Narnia series. (The seventh and eighth Potter films are in theaters now and next summer, and the third Narnia film hits in December.)

But for those tired of the big franchises and looking for more one-off adventures, there is a pair of films that were produced by Paramount Pictures and Nickelodeon Movies in the past decade that offer plenty of thrills and spills, and entertaining journeys into fantastical realms. They are clearly targeted at family audiences, but it is my opinion that there’s plenty to enjoy in them for adults as well, and I like them both more than the average Potter or Narnia film. So step into the Reel Rumbles ring for a battle of fantastic proportions as we take on The Spiderwick Chronicles vs. Lemony Snicket’s A Series of Unfortunate Events.

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There are some films on my Flickchart that rank higher than they might have, simply because they contain just one scene that held me captivated. Overall, I may not have cared for the movie, but one particular scene or sequence just caught my attention, and I had to admit: I wish the whole movie could have been like that.

Here are a few films that find themselves pulled from the dregs at the bottom of my Flickchart, buoyed in the middling middle on the strength of one or two effective scenes. One is the first R-rated film to win the Best Picture Oscar. One is considered a modern-day masterpiece. One is a mediocre action flick from a director best known for mediocre action flicks. They all have one thing in common: I didn’t love them…but I loved something about them. (Caution to those who might not have seen the films discussed; there may be a few minor spoilers.)

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It doesn’t get more dominating than having directed the highest-ranked film on Flickchart’s list of The Best Movies of All Time. But the man behind The Dark Knight is not only responsible for the highest-grossing movie of 2008 (and a member of that elite billion-dollar club). Every one of the seven feature films he has directed has been a hit with critics, and several have been big hits at the box office. They’re also hits on Flickchart. In this entry of Directors Who Dominate, we shine the spotlight on the dark figure of Christopher Nolan.

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