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“Source” music in a movie can be dicey. This is music that plays within the movie in such a way that we understand the characters in the scene can hear it, rather than music that plays over the film solely for our benefit. American Graffiti wasn’t the first movie to use source music effectively by any means, but perhaps no film before or since has used it as well. If for some reason you’re part of the 67% of Flickcharters who shamefully have not seen the movie, the premise is simple enough: four teenage friends spend the last night of Summer, 1962 together. The whole film spans that one night, from sundown to sunup. The various characters split off and reunite throughout the film, their individual and collective stories told across Modesto, California. Read the rest of this entry »
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I hate to be the one to say this, but here it goes.
Movies don’t just happen; they’re made. Real people actually write lines of dialog; no matter how natural something might sound to you when spoken by your favorite actor there’s little chance that it was ad-libbed. No one gets to just run through traffic in a wedding dress; the city schedules a day and time to close the road to the public to allow for filming. For that matter, there’s an awful lot of thought that goes into just what kind of T-shirt Seth Rogen will wear in a given scene. The dude doesn’t just show up as is and say, “Let’s do this!”

The 2009 hit film Star Trek garnered many fans, as it became a big hit at the box office. But many new fans may not have realized that it was not the first movie in a new franchise, but rather the eleventh film in a franchise that celebrates its 45th anniversary this year. Tasked with revitalizing a venerable franchise that was on life support (Star Trek: Enterprise, the franchise’s fifth television series, had been canceled six years previously, and the tenth film, Star Trek: Nemesis, was a critical and box office dud in 2002), Star Trek actually faced a similar situation encountered by another film 27 years earlier. In many ways, the films are quite similar, and yet, in others, they are diametric opposites; as such, they become, as Mr. Spock might say, fascinating mirrors for each other. Join us as Reel Rumbles heads to the Final Frontier for a battle of galactic proportions: Star Trek II: The Wrath of Khan vs. Star Trek.

There’s been a little controversy over some particular flicks popping up on Flickchart for ranking. Some users seem to figure that Flickchart is a bit too liberal in the material it approves for ranking. WWE wrestling specials? Pixar animated shorts? Television pilot episodes? Looney Tunes? Captain EO?
Well, it all started there, didn’t it? Captain EO is a “4-D” film that debuted in Walt Disney theme parks in 1986 and ran there exclusively through the ’90s. The 17-minute sci-fi film (at the time, the most expensive movie ever made on a per-minute basis) starred Michael Jackson, and was essentially a giant music video with 3-D imagery, flashing lights and plenty of smoke. Following Jackson’s death, the film made a return to Disney parks in 2010, but it has never had a theatrical release.